Landscapes of Memory No. 4
2006 · Oil on canvas · 180 × 90 cm
The Living Echoes
Your words meet an independent AI voice and take shape as writing and an image. Each contribution changes the shared work and opens another possible encounter.
Enter the WorkCo-creation is public. Before submitting, you must consent to publication and long-term retention of your submission and its generated results in the work’s public archive. Private correspondence ↗
Reading the public canvas…
Words → images → a public archive
Archive Statement
A non-commercial public art archive.
Qiming Liu is a contemporary artist whose practice is grounded in social critique. This website is a non-commercial public archive of his art and scholarly research, open to sustained viewing, discussion and study.
Painting, performance, video and independent art projects are given equal standing in the art archive. Parallel Research is a dedicated space for presenting the results of Qiming Liu’s own research, with sources clearly identified. Artworks, biographical records and signed critical writing retain their distinct identities.
About Qiming Liu ↗Art Archive
FOUR FORMS OF PRACTICEIndependent Projects
Independent projects and public interventions, with their contexts and records.
Painting
Series and individual paintings, shown in their original colour and proportions.
Performance
Actions, sites and documentation of the work as it unfolds.
Video
Moving-image works and accompanying documentation.
RESEARCH BY QIMING LIU
Parallel Research
A dedicated space for presenting the results of Qiming Liu’s own research, alongside the art archive.
View Parallel Research ↗Critical writing & conversations
All writing ↗From Social Reciprocity to Play: A Sociological Reading of Qiming Liu’s Red Envelope
Liao Liao reads the one-fen electronic red envelope through the changing relationships between social reciprocity, exchange, equality, and play.
The Meaning of Images in Qiming Liu’s Social Media Circle
Liao Liao examines fragmentation, shared identities, visual consumption, and the distance between an image and the event it represents.